Report: “Ghost Rider” Creator Loses Legal Fight With Marvel.

A court fight that had threatened to delay the release of the new “Ghost Rider” sequel has been resolved, The Guardian reports this morning:

“Comic book writer Gary Friedrich attempted to sue Marvel, claiming copyright over the character, which he radically revised while working for the company as a freelancer in the 1970s.

However, New York federal judge Katherine Forrest threw out the case on Wednesday, confirming Marvel as the copyright holder and ruling the company was well within its rights to licence Columbia Pictures for 2007’s Ghost Rider and the forthcoming sequel. Forrest said Friedrich signed two contracts in the 1970s which, together, ceded all rights to his employer.

“Either of those contractual transfers would be sufficient to resolve the question of ownership,” she wrote in a judgement. “Together, they provide redundancy to the answer that leaves no doubt as to its correctness.”

Read the full story here.

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Some “Dark Knight Rises” Tidbits Revealed.

These come courtesy of an L.A. Times story about Anne Hathaway who plays Selina Kyle/Catwoman in the final installment of director Christopher Nolan’s Bat-Epic:


“Gotham City is a war zone. A ruthless madman named Bane has ripped away any sense of security and the citizens, haggard and clutching suitcases with refugee anxiety, sit behind barbed wire waiting to see what will blow up next. A hooded prisoner is dragged in – it’s Bruce Wayne, one of Gotham’s most famous faces – but the eyes of the crowd go instead to the woman in black standing at the top of the staircase.

“Sorry to spoil things, boys, but Bane needs these guys himself,” says sultry Selina Kyle, played here by actress Anne Hathaway, navigating the steps with stiletto heels that, on closer inspection, turn out to have serrated edges capable of leaving nasty claw marks in a fight. She also wears high-tech goggles that, when not in use, flip up and resemble feline ears.

Read the full story here.

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Review: The Five Best Movies I Saw This Year.

Well, it’s almost time to close the book on 2011. Now seems as good a time as any to look back on some of the best movies I saw this year. Ironically enough, not all of them were actually released in 2011. But they were the ones that meant the most to me or affected me the deepest.


1.Never Let Me Go (UK, 2010)

When I reviewed this 2010 release back in August, I wrote that the film “forces the viewer to confront the big issues: What value does a life have, when, God knows, history is replete with examples of cultures valuing some lives above others? Can you transcend your circumstances or is your fate already etched on the wall of the universe?

Those words are true now. Just thinking about the movie’s horrifying premise makes my heart ache.

2. The Muppets (USA, 2011)
In a year filled with tired retreads, endless reboots and franchises that refused to die, the return of Jim Henson’s felt and floppy-eared creations was a breath of fresh air.
Boasting a great script from star Jason Segel and partner Nicolas Stoller, this tale of putting the old gang back together again lovingly recaptured the anarchic spirit of the original 1970s/80s television show without ever devolving into cliche.
If you haven’t seen it, I don’t want to give too much away. But I will say that it was one of the best two hours I’ve spent in a movie theater in years.

3. They Died With Their Boots On (USA, 1942).
What director Raoul Walsh’s epic tale of George Armstrong Custer lacked in historical accuracy (which was much) it more than made up for in the charismatic performance of Errol Flynn in the lead role.
When I reviewed the movie in October, I concluded: “So with “They Died With Their Boots On,” give Hollywood an “A” for storytelling, but an “F” for its remembrance of history — a problem the nation continues to struggle with.”
That still works now.

4. Captain America: The First Avenger (USA, 2011).
This was one of the two superhero franchise movies I saw this year (Kenneth Branagh’sThor” was the other one).
Joe Johnson’s depiction of the star-spangled World War II hero was hardly deathless art. But it was great popcorn entertainment. Chris Evans brought the right amount of 1940s idealism to the role. And newcomer Hayley Atwell smoldered as the strong-minded Peggy Carter.
Writing about the movie shortly after its July release, I concluded that even though Captain America “is a vehicle to sell toys, fast-food tie-ins and all manner of merch … [it] never forgets its first responsibility: to tell a good story and to keep audiences entertained.”

5.Criminal Investigator (USA, 1942).
Another film, viewed in 2011, but hailing from another era. It was one of several featurettes that popped up in my Netflix queue this year. Writing about it in September, I said: “Despite boasting some laughably wooden acting and a bushel basket’s worth of newspaper business cliches, this surprisingly taut featurette is still consistently entertaining.”
Sounds about right.

There were plenty of other movies this year that captured my attention. Some I’d seen before. Some I wish I’d never seen at all. But the above is a fairly representative sample of my favorites from the past year.

Feel free to leave a list of your favorite movies from the past year in the comments section.

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Anne Hathaway Looked To Hedy Lamarr For Catwoman Role

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When it comes to preparing for a role, Anne Hathaway takes her cues from some unusual places.

As she prepped for her turn as Catwoman in next year’s The Dark Knight Rises, the actress turned to screen legend Hedy Lamarr for inspiration.

NYMag’s Vulture has the story:

“When Anne Hathaway got the part of Catwoman in Christopher Nolan’s The Dark Knight Rises, she famously watched cat videos on YouTube in order to get into character, but there’s one other key ingredient that informed her performance: the actress Hedy Lamarr, whom Batman creators Bob Kane and Bill Finger based the character on. “I know this sounds odd, but her breathing is extraordinary,” Hathaway told the Los Angeles Times. “She takes these long, deep, languid breaths and exhales slowly. There’s a shot of her in [the 1933 film] Ecstasy exhaling a cigarette and I took probably five breaths during her one exhale. So I started working on my breathing a lot.”

Read the full story here.

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Max Von Sydow: “I Can Live Without [Acting].”

Actor Max von Sydow (The Wrap)

In an interview with The Wrap, the 82-year-old actor talks about his new role as a silent man in “Extremely Loud & Incredibly Close,” director Stephen Daldry’s adaptation of a Jonathan Safran Foer novel about the Sept. 11, 2001 terrorist attack in New York City.

In the interview, the Swedish-born von Sydow calls the film “a wonderful story about healing after this terrible tragedy,” as a young man traverses New York, trying to make sense of the attacks, in which his father perished.

“And I think it’s a brilliant idea to let the boy sort of invent his own therapy. Which he sticks to fanatically. He is totally convinced that what he’s doing will lead to some sort of an answer, some sort of a solution,” von Sydow notes.

In the piece, he also reflects on his decades-long career in cinema and the challenges posed by being a European actor in Hollywood:

“… Okay, I’m a foreigner. I’m not American, I’m not English. So they come and offer me the foreigner. Who is the foreigner in the story? The foreigner is most of the time the villain. And very often he’s the Nazi. And then funnily enough, they also ask me to play Jewish refugees. So it’s sort of two poles, in a sense,” he said.

Read the full story here.

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New “Avengers” Russian Trailer Adds New Footage

Providing ample proof that “Nerd” is, indeed, an international language, here’s the new Russian-language trailer for Joss Whedon’s superteam flick. It hits theaters next spring.

Vodpod videos no longer available.

(h/t HeyUGuys.co.uk)

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New “Underworld: Awakening” Trailer Hits The Web.

The day after we got a look at some new promo shots of “Underworld: Awakening,” here’s a new trailer for the Kate Beckinsale-starring film.

Vodpod videos no longer available.

Underworld: Awakening” opens Jan. 20.

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Woody Allen’s First “Midnight in Paris” Was A 1971 Short Story.

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Here’s a fascinating piece by Steve Pond over at The Wrap, who notes that Woody Allen took a fantasy trip to the Lost Generation’s City of Light years before last summer’s sleeper hit Midnight in Paris.

As he got ready for an interview with the famed auteur, Pond stumbled across Allen’s 1971 short-story collection “Getting Even,” which contained a four-page story called “A Twenties Memory,” where the lead character hangs out with authors Ernest Hemingway, F. Scott Fitzgerald and Gertrude Stein.

Here’s the nut graf:

And when I started leafing through the rest of the book, I was surprised to rediscover that the slim volume (which sported a 95-cent price tag) also contained “A Twenties Memory.” In that four-page, first-person story, the narrator hangs out with Hemingway and Stein; visits Picasso’s studio with Stein; goes to Man Ray’s Paris home and meets Dali; and spends time with F. Scott Fitzgerald, who’s troubled over his relationship with Zelda.

All of those characters (and some of the settings) resurfaced 40 years later in “Midnight in Paris” — though fortunately for Owen Wilson, the film doesn’t include a running motif in the short story, in which “we laughed a lot and had fun and then we put on some boxing gloves and [Hemingway] broke my nose.”

(On the other hand, Owen Wilson famously broke his nose as a teenager, so maybe that helped him get the part.)

The story also includes a cast of characters who don’t appear in “Midnight in Paris,” the artist Juan Gris and the bullfighter Manolete among them. And its events certainly differ from the film.”

Read the full story here.

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Cheeta The Chimp, RIP.

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Addenda: There’s now some debate over whether the chimp who expired over the Christmas holiday was the real Cheeta or even ever got near a Hollywood soundstage.

The Miami New Times reports:

<​To hear the story repeated from fine bastions of journalism like the New York Times, NPR, and CNN, you'd be lead to believe that the chimpanzee who played Cheetah, Tarzan's ape companion in the famed 1930s movie series, recently died in an animal sanctuary in Palm Harbor, Florida. Don't believe everything you read because there's actually little to no evidence that this chimp ever starred alongside Tarzan.

The story originated from The Tampa Tribune. Yes, a chimpanzee who lived at the Suncoast Primate Sanctuary in Palm Harbor Florida died. Yes, his caretakers believe that he starred in the famed early 1930s Tarzan movies starring Johnny Weissmuller. No, there’s little evidence backing it up./em

Read the full story here

One Of Hollywood’s Oldest Stars …
… has gone on to the Great Jungle in the Sky.

Cheeta, the chimpanzee who starred alongside Johnny Weismuller and Maureen O’Sulivan in the great Tarzan movies of the 1930s, has died. He was 80 years old.

According to published reports, Cheeta died of kidney failure on Dec. 24 at the Suncoast Primate Sanctuary in Palm Harbor, Fla., where he’d been living out his retirement.

In an interview with The Daily Telegraph, Debbie Cobb, the director of the sanctuary, said Cheeta enjoyed finger-painting and seemed attuned to human feelings. He came to the sanctuary from Weismuller’s estate in the 1960s, the newspaper reported.

You can see a quick retrospective of Cheeta’s life and work here.

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New “Wrath of the Titans” Trailer Hits The Web.

Bet You Didn’t Know …
… that you wanted a sequel to 2010’s plodding reboot of the 1981 Desmond Davis-directed sword-and-sandals epic. Well you’re getting one whether you want it or not.

As proof, here’s the trailer:

Vodpod videos no longer available.

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